8 March 2013
The
Northampton Symphony Orchestra was back in the magnificent auditorium of the
Derngate in Northampton last Saturday for an evening of ballet music, compered
by Angela Rippon. We played an extensive range of ballet excerpts including
popular favourites (Tchaikovsky’s suite from ‘Swan Lake’, the ‘Adagio of
Spartacus and Phrygia’ from ‘Spartacus’ by Khachaturian and the ‘Clog Dance’
from ‘La fille mal gardée’ by Ferdinand Hérold) and the achingly beautiful
ending of Prokofiev’s ‘Romeo and Juliet’. We finished the concert with the
suite from ‘The Firebird’ by Stravinsky – a challenge for any orchestra but one
which I think we rose to. Towards the end of the suite there is a moment, after
the violence of the famous ‘Infernal Dance’ has subsided and the haunting bassoon
melody of the ‘Berceuse’ has died away, when sparse string chords fade away to
silence. Then, out of nothing, comes the horn solo that ushers in the finale.
It’s a beautiful moment but I can now tell you from personal experience that it
is incredibly nerve-wracking being the horn player waiting for what seems like
an age to play that solo. It’s not a particularly difficult phrase (there were
much more difficult solos earlier in the concert including those performed
wonderfully by Kathy Roberts on oboe, Nick Bunker on trumpet and an amazingly
beautiful harp cadenza) but, coming at the end of the most difficult piece at
the end of a long concert was a bit like stepping up to take a penalty after
playing extra time. I am relieved to say I didn’t blast the ball over the bar –
it seemed to go okay and the concert ended on a high.
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