21 March 2013
The viola is
the often the poor relation amongst orchestral instruments, the butt of many
jokes, the unglamorous middle of the string section. So it was interesting,
last Saturday, to take part in a concert that positively celebrated the musical
possibilities of the viola. I was playing with Milton Keynes Sinfonia in a
programme which began and ended with fine viola solos by the orchestra’s
principal viola player, Julian Pentz, in Elgar’s ‘In The South’ and Vaughan
Williams’ ‘Symphony No 2 (A London Symphony)’. The filling in this viola
sandwich was William Walton’s ‘Viola Concerto’ – a wonderful but fiendishly
difficult work, impressively performed by Emma Sheppard (who was, until last
year, the principal viola for English National Ballet). It was a lovely
programme and a very enjoyable concert, with some great playing throughout the
orchestra and a host of exquisite solos by a variety of players – but this time
the limelight belonged to the viola.
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