Friday, October 15, 2021

'Fargo' by Noah Hawley

15 October 2021

I have written here before (in October 2017) about my love of ‘Fargo’, Noah Hawley’s superlative TV series inspired by the 1996 Coen Brothers film. Each season of the show is a self-contained story with a completely different set of characters in a different place and a different time - but always eerily familiar to the previous seasons and the film. The fourth season, which I’ve just finished watching, takes us further back in time, to 1950 in Kansas City, Missouri, and almost acts as an origin story for the other three - showing the early development of gang warfare between various immigrant communities. It’s possibly the most violent ‘Fargo’ (and that’s saying something!) but it’s also incredibly funny - a very darkly comic version of ‘The Godfather’. Chris Rock gets lead billing as the head of the African-American crime syndicate, Jason Schwartzman is wonderful as the hopelessly out-of-his-depth leader of the Sardinian Fadda family and Ben Wishaw is the sole survivor of the Irish family that previously ruled the city. But, as usual, Noah Hawley gives the women the best parts with E'myri Crutchfield playing the still, calm, sensible teenager at the heart of the storm, J. Nicole Brooks fearsome as a gang leader’s wife protecting her children and Jessie Buckley stealing the show as the gloriously deranged serial-killer nurse Oraetta Mayflower. This season’s beautiful surreal digression is (for no particular reason) a very subtle homage to ‘The Wizard of Oz’. There is also one magnificent moment of simple slapstick which completely punctured the violent tension of the plot and had me roaring with laughter, leaving me totally unprepared for the brutal sting in the tale that follows. It was great to spot some recurring ‘Fargo’ motifs and more New Orleans brass bands on the soundtrack. But the real pleasure of ‘Fargo’ is the delicious slow plotting which gradually reveals clarity from confusion and very satisfyingly brings comeuppance to those who deserve it, in the most unexpected ways.

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