24 July 2014
The
Northampton Symphony Orchestra Friends' Concert, each July, always
feels like an 'end of term' party. This year it was also our final
concert with conductor Alexander Walker. Alex has been conducting NSO
since 2009 and, looking back over the past five years, he has been
presided over some stunning concerts and I think he has helped to
create a marked improvement in our playing. Alex has been a
reassuring presence during concerts, often steering us calmly to
safety when a wrong entry threatened to derail our performance. And I
think we have learned a lot from his particular knowledge of, and
passion for, Russian music. My personal highlights from Alex's tenure
as our regular conductor include the incredible experience of playing
Mahler's 'Symphony No. 6' (reviewed here in November 2011), a
stunning performance of Richard Strauss’ ‘Four Last Songs’ with
Katherine Crompton (featuring an exquisite horn solo in ‘September’
by David Lack) (reviewed here in November 2010), Shostakovich's
immense ‘Leningrad Symphony’ (reviewed here in November 2013) and
our 'Love and Death' concert earlier this year (reviewed here in
February 2014) which included the Richard Strauss tone poem 'Tod und
Verklärung' ('Death and Transfiguration'). Alex's final NSO
programme, last Sunday, included Dvorak's tone poem 'The Water
Goblin' (a lovely piece), the 'Danse Macabre' by Saint-Saens and
Rimsky Korsakov's rousing 'Capriccio Espagnole'. But I most enjoyed
playing Wagner's 'Siegfried Idyll' – an achingly beautiful
expression of love.
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