6 December 2013
Great works of
fiction create characters that appear to have an existence beyond the
particular tale being told. It's always fascinating to wonder what
happened to those characters before or after our brief encounter with
them. Literary sequels and prequels have an honourable tradition
(from 'The Wide Sargasso Sea' by Jean Rhys to the Gregory Maguire's
novels 'Wicked' and 'Confessions of an Ugly Stepsister' (reviewed
here in March 2008) and Andrew Motion's 'Treasure Island' sequel
'Silver' (reviewed here in May 2012)). There's something particularly
compelling about those works that take relatively minor characters
from an earlier story and put them centre stage (such as Tom
Stoppard's 'Rosencrantz and Guildenstern Are Dead'). So I was pleased
to discover James Benmore's novel 'Dodger' which brings Jack Dawkins
– the Artful Dodger – back to London six years after having been
transported to Australia for the theft of a silver snuff box at the
end of 'Oliver Twist'. Dawkins discovers that London has changed in
his absence: Fagin, Bill Sikes and Nancy are all dead and the
introduction of the Peelers has made the business of picking pockets
much more hazardous. 'Dodger' takes us back into Dickensian London
but it's not Dickens. The characters are great fun and there's an
intriguing mystery to be solved but this is an easy and enjoyable
read that doesn't attempt a Dickensian style or much social comment.
Still, Dawkins is an engaging young adult and his first-person
narration (with its cockney accent) is entertaining and often very
funny.
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