12 September 2013
Hari Kunzru’s
debut novel ‘The Impressionist’ was highly praised on its publication in 2002
and I the reviews made me keen to read it but for some reason it has taken me more
than 10 years to get around to doing so. I wasn’t disappointed. ‘The
Impressionist’ is an epic tale that starts in India in the early years of the
20th century and looks at empire, race and identity against a
backdrop of real historical events. The use of comic characters and farcical
plots set against extremely serious and often horrific history is carried off
remarkably effectively. The tone of the book reminded me a lot of Matthew
Kneale’s marvellous ‘English Passengers’. And ‘The Impressionist’ also had
echoes of two other debut novels by contemporary British writers – David
Mitchell’s ‘Ghostwritten’ with episodes in different settings, and with
completely different sets of characters, linked by a single constant but
evolving figure; and ‘White Teeth’ by Zadie Smith with its exploration of how
Britain’s colonial past is evident in modern Britishness. ‘The Impressionist’
is a brilliant tour-de-force – well worth waiting for.
No comments:
Post a Comment