18 June 2025
Last Saturday's Northampton Symphony Orchestra 'Film Night' concert, conducted by John Gibbons, at the Spinney Theatre in Northampton was an incredibly enjoyable evening - a great introduction for those members of our packed audience who told us it was their first experience of going to a live orchestral concert.
We started the concert with one of the most famous musical moments in film history, from Stanley Kubrick's '2001: A Space Odyssey' - the opening fanfare of 'Also sprach Zarathustra' by Richard Strauss. When Steven Spielberg's 'Jaws' came out in 1975 I was too young to go to see it but I distinctly remember walking to school past the Scala cinema in Withington which, instead of the useful small identikit lettering to announce the film showing that week, was displaying the word JAWS in six-foot high lettering, dripping with blood! 'Jaws', which is often credited with inventing the modern Hollywood blockbuster, celebrates its 50th anniversary this year. Its success owes much to John Williams and "the scariest two notes in musical history ... a theme that catches you by the ears and drags you by the ankles", according to a recent article in The Washington Post. Our performance of John Williams's 'Suite from Jaws' featured brilliant trumpet solos from Dan Newitt. Our performance was also notable for the sinister appearance of shark fins on the heads of the first violin players.
We finished the first half of the concert with the 'Symphony No 2' by Howard Hanson, which was used for the closing credits of the film 'Alien' (without the composer's permission) and was later cited by John Williams as the model for his music for 'E.T. the Extra-Terrestrial'. Hanson is not very well known these days but was an important and influential 20th century American composer. His second symphony ('The Romantic') is a gorgeous schmaltzy piece which suggests Hanson might have been the missing link between Aaron Copland and John Williams. It features some beautiful solo horn counter-melodies which I really enjoyed playing, and our trumpet section sounded magnificent.
The second half of the concert included Ennio Morricone's 'L'Ultima Diligenza di Red Rock' from Quentin Tarantino's 'The Hateful Eight' - featuring gorgeous growling contra-bassoon solos by Frank Jordan - followed by Malcolm Arnold's music for Ralph Thomas's 1961 British film 'No Love for Johnnie' (reconstructed and orchestrated by Philip Lane) - with beautiful oboe solos by Sarah Mourant.
For many the highpoint of the concert was the music from Hayao Miyazaki's 2004 Studio Ghibli animated film 'Howl's Moving Castle' in the Symphonic Variation "Merry-go-round" by Joe Hisaishi - particularly the solo piano theme, beautifully played by Georgina Neil.
The concert concluded with three pieces from John Williams' music for the 'Star Wars' series - from three different films: 'The Asteroid Field' (from 'The Empire Strikes Back'), 'Across the Stars (from 'Attack of the Clones') and 'The Throne Room and End Title' from the original 'Star Wars'. This provided a thrilling end to a great concert with the whole brass section in excellent form, and it was fantastic to have all seven regular NSO horn players playing the famous 'Star Wars' theme.