Wednesday, December 14, 2022

Northampton Symphony Orchestra concert

14 December 2022

The Northampton Symphony Orchestra’s Christmas Cracker concert has become a much-loved annual fixture in the calendar which always feels to me like the start of Christmas. I can remember when it still felt daring for members of the orchestra to don santa hats and reindeer antlers for the second half of the concert. These days the whole event feels like a massive fancy dress party - for the orchestra and the audience. This year we were playing Dan Welcher’s narrated piece ‘Haleakala: How Maui Snared The Sun’ - a Polynesian folk tale that tells the story of how Maui captured the sun and caused the summer and winter seasons - so the orchestra’s dress code was Christmas jumpers or Hawaiian shirts. As I don’t own either of these I started searching online and found a wonderfully garish Hawaiian shirt, decorated with tiny French horns. I shared this with my fellow horn players who loved the idea of us all wearing matching shirts. Sadly we then spotted that these shirts would be coming from the United States and wouldn’t be delivered until after the concert. By this time we were all hooked on the idea and determined to make it happen. Rather brilliantly, Callie Scully bought some cheap, fairly plain Hawaian shirts from Asda and printed a series of transfers of French horns which she painstakingly ironed onto the shirts for all six of us. Some of the horns ended up being blue or pink because the transfers quickly used all her yellow printer ink, but we liked the somewhat psychedelic mixture of colours. Callie brought the shirts to our penultimate rehearsal but didn’t bring them into the hall, as we didn’t want the rest of the orchestra to see them until the concert. So at the end of the rehearsal we went out to Callie’s car in the car park where she handed out the shirts - covered by bin bags to keep them secret - and, at Josh’s suggestion we all then split in different directions! This excellent example of ingenuity and everyday creativity was a great success and the horn shirts attracted much praise at the concert. ‘Haleakala’ is a really effective piece of storytelling, excellently narrated for us by John Griff, with the orchestra creating some fascinating filmic audio effects. And I got to start the whole piece by blowing a conch shell which created a beautiful resonant note. Our recent Christmas Cracker concerts have featured lots of film music, alongside the usual festive tunes. This year was a bit different with the programme including an eclectic mix of classical pieces. Our Artistic Director, John Gibbons, had come up with the idea of conjuring up a Christmas stocking, stuffed with oranges (Prokofiev’s suite from ‘The Love for Three Oranges’) and a toy train (‘Pacific 231’ by Arthur Honegger) - though I think he may have run out of ideas at that point. Nevertheless it was a lovely concert at the Spinney Theatre in Northampton: it was wonderful to have a large audience and the welcome return of mulled wine and mince pies for the first time since the pandemic.

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Friday, December 09, 2022

'The Ink Black Heart' by Robert Galbraith

9 December 2022

I have been enjoying ‘The Ink Black Heart’ - the sixth Cormoran Strike detective novel by J K Rowling (writing as Robert Galbraith) - which I am reading as an unabridged audio book, narrated by Robert Glenister. Like the Harry Potter series, the Strike novels seem to be getting longer and longer: the audio version of ‘The Ink Black Heart’ lasts nearly 33 hours. This feels too long - it would definitely have benefited from an edit - but it is an enjoyable and intriguing crime thriller. This time Strike and his partner Robin Ellacott enter the world of online gaming, YouTube and Twitter. Some of the chatroom conversations are a bit tedious to listen to as an audio book, with every @ and # pedantically read out, and the extensive cast of suspects is multiplied by their online pseudonyms. But it’s an engaging puzzle. I think I now actually look forward to spotting J K Rowling’s odd misunderstandings of budget hotels (see my review here of the previous Strike novel, ‘Troubled Blood’, in January 2021). The descriptive writing is often a bit clunky, and some of the online terminology also feels slightly suspect: does anyone refer to their “Instagram page”? But the best tribute I can pay to ‘The Ink Black Heart’ is that I have 3 hours left to listen to but I decided not to rush through it at high speed in order to write this review!

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Friday, December 02, 2022

'Stay with Me' by Lorraine Ellison

2 December 2022

Once again I am indebted to Jess Gillam’s podcast ‘This Classical Life’ for drawing my attention to an artist I hadn’t come across before. Lorraine Ellison was an American soul singer and songwriter who died in 1983 at the age of 51. I have been listening to her 1969 album ‘Stay with Me’. The title-track is her best known recording but was only made at a last-minute booking, following a studio cancellation by Frank Sinatra, for whom a 46-piece orchestra had already been hired. The song is only three and half minutes long but feels like an epic - incredibly theatrical with a soaring chorus that punches you in the face. Lorraine Ellison’s voice is powerful and pure, bringing her experience of singing in gospel groups to R&B. ‘You Don’t Know Nothing About Love’ shows off her brilliant high register and she deserves comparison with Aretha Franklin and Dionne Warwick. Listen for yourself at: https://www.youtube.com/watch?v=6pDBuPK0_DU

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